{"id":1205,"date":"2019-11-18T11:27:00","date_gmt":"2019-11-18T10:27:00","guid":{"rendered":"https:\/\/hugoscurto.com\/?page_id=1205"},"modified":"2026-01-27T21:16:47","modified_gmt":"2026-01-27T20:16:47","slug":"publications","status":"publish","type":"page","link":"https:\/\/hugoscurto.com\/en\/publications\/","title":{"rendered":"publications"},"content":{"rendered":"
\n

phd thesis<\/h3>\n

Scurto, H.<\/u>, Designing With Machine Learning for Interactive Music Dispositifs<\/strong>. <\/em>Sorbonne Universit\u00e9, 2019. Defended on December 2nd 2019 at IRCAM. Jury:<\/em> Fr\u00e9d\u00e9ric Bevilacqua (IRCAM), Samuel Bianchini (EnsAD), Sergi Jord\u00e0 (UPF), Wendy Mackay (INRIA), Catherine P\u00e9lachaud (CNRS), Anne S\u00e9d\u00e8s (Paris 8). pdf<\/a><\/p>\n

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journal articles \/ book chapters<\/h3>\n

Scurto, H.<\/u>, Similowski, T., Bianchini, S., & Caramiaux, B. (2023). Probing Respiratory Care With Generative Deep Learning<\/strong>. Proceedings of the ACM on Human-Computer Interaction<\/i>, 7<\/i>(CSCW2), 1-34. doi<\/a> | pdf<\/a><\/span><\/p>\n

Scurto, H.<\/u>, Van Kerrebroeck, B., Caramiaux, B., & Bevilacqua, F. (2021). Designing Deep Reinforcement Learning for Human Parameter Exploration<\/strong>. ACM Transactions on Computer-Human Interaction (TOCHI)<\/i>, 28(1). <\/em>1-35. doi<\/a> | pdf<\/a><\/p>\n

Scurto, H.<\/u>, & Chemla\u2014Romeu-Santos, A. (2021). Machine Learning for Computer Music Multidisciplinary Research: A Practical Case Study<\/strong>. In Perception, Representations, Image, Sound, Music: CMMR 2019. <\/em>Lecture Notes in Computer Science, vol 12631 (pp. 665-680). Springer International Publishing. doi<\/a> | pdf<\/a><\/p>\n

Lemaitre, G., Scurto, H.<\/u>, Fran\u00e7oise, J., Bevilacqua, F., Houix, O., & Susini, P. (2017). Rising Tones and Rustling Noises: Metaphors in Gestural Depictions of Sounds<\/strong>. PloS one<\/i>, 12<\/i>(7)<\/em>, e0181786. doi<\/a> | pdf<\/a><\/p>\n

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art & design publishings<\/h3>\n

Scurto, H.<\/u> (2026). de l’occulte IA<\/strong>. To appear in Arpenter les espaces potentiels<\/i>. \u00e9sam Laboratoire Modulaire.<\/span><\/p>\n

Scurto, H.<\/u> (2026). Vers une soma-esth\u00e9tique de la forme d’onde respiratoire<\/strong>. To appear in Respire \u2014 Esth\u00e9tique de la respiration et culture de la qualit\u00e9 de l’air<\/i>. Les presses du r\u00e9el.<\/p>\n

Da Mosto, J., Kuitenbrouwer, K., Ribault, P., Bianchini, S., Krier, S., Grebenstein, P., Hoske, R., Ammar-Khodja, B., Cozzolino, F., Scurto, H.<\/u>, Sebregondi, F. (2020). Zo\u00f6p<\/strong>. In\u00a0Values for Survival, Cahier 2: the Venice Exploratorium<\/i>. Het Nieuwe Instituut, Rotterdam. pp. 180-193. url<\/a><\/p>\n

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conference proceedings<\/h3>\n

2024<\/h4>\n

Scurto, H.<\/u> (2024). Intra-Active Machine Learning<\/strong>. Full Stack Feminism<\/em>. url<\/a>
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Schuh, D., Aissi, S., Dell’Orco, R., Fierro, D., Scurto, H.<\/u> (2024). Mycelium Garden: Listening to and Composing With the Infra-World<\/strong>. To appear in\u00a0XI International FKL Symposium on Soundscape: “Soundstainability”. <\/i>Galaad Editions.<\/i><\/p>\n

2023<\/h4>\n

Scurto, H.<\/u>, & Chemla\u2014Romeu-Santos, A. (2023). Deeply Listening Through\/Out the Deepscape<\/strong>. In Proceedings of the 28th International Symposium on Electronic Art (ISEA 2023)<\/em>. pdf<\/a><\/p>\n

Scurto, H.<\/u>, & Postel, L. (2023). Soundwalking Deep Latent Spaces<\/strong>. In Proceedings of the 23rd International Conference on New Interfaces for Musical Expression (NIME\u201923)<\/i><\/em>. pdf<\/a><\/p>\n

2022<\/h4>\n

Scurto, H.<\/u> (2022). Musicking Deep Reinforcement Learning<\/strong>. In Proceedings of the 7th International Conference on Technologies for Music Notation and Representation (TENOR 2022)<\/em>. pdf<\/a><\/p>\n

2021<\/h4>\n

Scurto, H.<\/u>, Caramiaux, B., Bevilacqua, F. (2021). Prototyping Machine Learning Through Diffractive Art Practice<\/strong>. In Proceedings of the 2021 ACM Designing Interactive Systems Conference (DIS’21)<\/i><\/em>. doi<\/a> | pdf<\/a><\/p>\n

Scurto, H.<\/u>, Caramiaux, B., Similowski, T., Bianchini, S. (2021). GANspire: Generating Breathing Waveforms for Art-Health Applications<\/strong>. In 5th NeurIPS Workshop on Machine Learning for Creativity and Design<\/em>. pdf<\/a><\/p>\n

Becker, J., Bianchini, S., Scurto, H.<\/u>, Tosi Brandi, E. (2021). Picking Up Good Vibrations<\/strong>. In IEEE International Conference on Robotics and Automation Workshop on Sentimental Machines (ICRA-X 2021)<\/i><\/em>. pdf<\/a><\/p>\n

2020<\/h4>\n

Audry, S., Dumont-Gagn\u00e9, R., Scurto, H.<\/u> (2020). Behaviour Aesthetics of Reinforcement Learning in a Robotic Art Installation<\/strong>. In NeurIPS Workshop on Machine Learning for Creativity and Design 4.0. <\/i>pdf<\/a>
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Scurto, H.<\/u> (2020). ciel<\/strong>. In Proceedings of the 20th International Conference on New Interfaces for Musical Expression (NIME’20)<\/i>. pdf<\/a><\/p>\n

Scurto, H.<\/u> (2020). terre<\/strong>. In Proceedings of the 2nd International Symposium on Sound, Image and Interaction Design (SIIDS’20)<\/i>. pdf<\/a><\/p>\n

2019<\/h4>\n

Scurto, H.<\/u>, Liu, W., Matuszewski, B., Bevilacqua, F., Fr\u00e9chin, J.-L., Petrevski, U., & Schnell, N. (2019). Entrain: Encouraging Social Interaction in Collective Music Making<\/strong>. In ACM SIGGRAPH Studio 2019 (SIGGRAPH’19)<\/i> (p. 5). ACM. doi<\/a> | pdf<\/a>
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Parke-Wolfe, S., Scurto, H.<\/u>, & Fiebrink, R. (2019). Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities<\/strong>. In Proceedings of the 19th International Conference on New Interfaces for Musical Expression (NIME\u201919)<\/i>. pdf<\/a><\/p>\n

2018<\/h4>\n

Scurto, H.<\/u>, Van Kerrebroeck, B., & Bevilacqua, F. (2018). Riding the Co-Explorers<\/strong>. In Proceedings of the 19th International Society for Music Information Retrieval Conference (ISMIR 2018)<\/i>. pdf<\/a><\/p>\n

Scurto, H.<\/u>, Bevilacqua, F., & Caramiaux, B. (2018). Perceiving Agent Collaborative Sonic Exploration In Interactive Reinforcement Learning<\/strong>. In Proceedings of the 15th Sound and Music Computing Conference (SMC 2018)<\/i>. pdf<\/a><\/p>\n

Scurto, H.<\/u>, & Bevilacqua, F. (2018). Appropriating Music Computing Practices Through Human-AI Collaboration<\/strong>. In Journ\u00e9es d’Informatique Musicale (JIM 2018)<\/i>. pdf<\/a><\/p>\n

2017<\/h4>\n

Scurto, H.<\/u>, Bevilacqua, F., & Fran\u00e7oise, J. (2017). Shaping and Exploring Interactive Motion-Sound Mappings Using Online Clustering Techniques<\/strong>. In Proceedings of the 17th International Conference on New Interfaces for Musical Expression (NIME\u201917)<\/i>. pdf<\/a><\/p>\n

Scurto, H.<\/u>, & Bevilacqua, F. (2017). VIMOs: Enabling Expressive Mediation and Generation of Embodied Musical Interactions<\/strong>. In Proceedings of the 4th International Conference on Movement Computing (MOCO 2017)<\/i>. pdf<\/a><\/p>\n

2016<\/h4>\n

Scurto, H.<\/u>, & Fiebrink, R. (2016). Grab-and-Play Mapping: Creative Machine Learning Approaches for Musical Inclusion and Exploration<\/strong>. In Proceedings of the 42nd International Computer Music Conference (ICMC 2016).<\/em> pdf<\/a><\/p>\n

Scurto, H.<\/u>, Lemaitre, G., Fran\u00e7oise, J., Voisin, F., Bevilacqua, F., & Susini, P. (2016). Embodying sounds: Building and analysis of a database of gestural and vocal imitations<\/strong>. In 7th Conference of the International Society for Gesture Studies (ISGS 2016).<\/em><\/p>\n

2015<\/h4>\n

Scurto, H.<\/u>, Lemaitre, G., Fran\u00e7oise, J., Voisin, F., Bevilacqua, F., & Susini, P. (2015). Combining gestures and vocalizations to imitate sounds<\/strong>. In\u00a0170th Meeting of the Acoustical Society of America (ASA 2015)<\/em>.<\/p>\n

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popular science<\/h3>\n

Scurto, H.<\/u> (2024). L’apprentissage machine comme mat\u00e9riau de cr\u00e9ation<\/strong>. Bulletin de l’AFIA<\/i> (123). pdf<\/a>
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Scurto, H.<\/u>, Lemaitre, G., Fran\u00e7oise, J., Voisin, F., Bevilacqua, F., & Susini, P. (2015). How would you sketch a sound with your hands?<\/strong> in ASA Press Room, 2015. url<\/a><\/p>\n

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academic reports<\/h3>\n

Scurto, H.<\/u>, Creative Interaction Paradigms for Machine Learning-Based Design of Gestural Musical Interfaces<\/strong>. Pre-doctoral report, ENS Paris-Saclay, Goldsmiths University of London, 2016. pdf<\/a><\/p>\n

Scurto, H.<\/u>, Combination of Gesture and Vocalization in Sound Imitation<\/strong>. Master’s thesis, Sorbonne Universit\u00e9, IRCAM, 2015. pdf<\/a><\/p>\n

Scurto, H.<\/u>, Design and Prototyping of a Transverse Saxophone<\/strong>. Bachelor’s report, ENS Paris-Saclay, LMA-CNRS, 2013. pdf<\/a><\/p>\n

Scurto, H.<\/u>, Voicing and String Plucking in the Harpsichord<\/strong>. Bachelor’s report, ENS Paris-Saclay, \u2202\u2019Alembert, Philharmonie de Paris, 2012. pdf<\/a><\/p>\n

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phd thesis Scurto, H., Designing With Machine Learning for Interactive Music Dispositifs. Sorbonne Universit\u00e9, 2019. Defended on December 2nd 2019 at IRCAM. Jury: Fr\u00e9d\u00e9ric Bevilacqua (IRCAM), Samuel Bianchini (EnsAD), Sergi Jord\u00e0 (UPF), Wendy Mackay (INRIA), Catherine P\u00e9lachaud (CNRS), Anne S\u00e9d\u00e8s (Paris 8). pdf journal articles \/ book chapters Scurto, H., Similowski, T., Bianchini, S., & […]<\/p>\n","protected":false},"author":97209351,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_wpcom_ai_launchpad_about_page":false,"_wpcom_ai_launchpad_gallery_page":false,"footnotes":""},"class_list":["post-1205","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":false,"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/P6VuIE-jr","amp_enabled":false,"_links":{"self":[{"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/pages\/1205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/users\/97209351"}],"replies":[{"embeddable":true,"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/comments?post=1205"}],"version-history":[{"count":67,"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/pages\/1205\/revisions"}],"predecessor-version":[{"id":8705,"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/pages\/1205\/revisions\/8705"}],"wp:attachment":[{"href":"https:\/\/hugoscurto.com\/en\/wp-json\/wp\/v2\/media?parent=1205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}